"Burning Blim" is a very old experimental track that was hand-crafted from brain samples on a MIDI sequencer, back in the days before I developed my current generative and robotic moves.

The beats on this tune are dangerous! Splintered rhythms, bit-crushed bass and a Panda Bear keyboard make this tune sound like a herd of riderless wheelchairs spinning uncontrollably on a luggage carousel.

"Nephesch" is one of my favourites. Fractious sheep-dipped drums, giant zips and string sections speaking in tongues, all within a very small glass booth inside an oil-tanker.

"Peripheral Vision" is a bit like a niggling toothache on what should be a chilled Sunday morning.

Dub from the Death Factory. What would be the reaction if you combined FM synthesis with nitro-glycerine? Or if you mixed formic acid with a quantised recording of a Bosch spin-cycle? The result could be this.

"The Wind" is the moving air and the rain, some floating toy chimes and a spinning loop of hypnotic driftwood.

"Hungry" features Gila (ex Sugardog & Schaflose Nächte) on vocals.

I was digging under the floorboards, and unearthed this digital artifact: "SevenDust", a tune spawned in the days when dinosaurs still roamed the earth, when men were men and I didn't own a mobile phone.

This tune, "Two Face", was written and completed in record time for me, 6 days! Whether that's a good thing or not, you tell me!